smiling on the outside crying on the inside

Smiling on the Outside, Crying on the Inside

I smile because I have learned that people are more comfortable with my silence than with my suffering, and somewhere along the way I became the sort of person who would rather betray myself than make anyone else feel helpless in front of my pain. It is a strange and terrible thing, to become fluent in your own disappearance, to know exactly how to soften your face, how to lift your voice, how to make your eyes look calm even when everything behind them is collapsing into a darkness so old and deep that even I no longer know where it began.

I do not smile because I am happy.

I smile because it is expected of me.

I smile because if I do not, someone might ask what is wrong, and I have no answer small enough to give them. I cannot say, Everything is wrong. I cannot say, I feel like something inside me has died but my body has not yet understood it is supposed to stop moving. I cannot say, I am tired of being alive in a way that sleep cannot touch. Those are not answers people know how to hold. Those are not sentences that belong in ordinary mouths, in ordinary rooms, beneath ordinary light. So I say I am fine, and I smile, and the world accepts the lie because the truth would ask too much of it.

There is a grief in me that has no manners, but I have forced it to behave. I have dressed it up, pressed it down, taught it to sit quietly behind my ribs with its hands folded and its mouth shut. I have trained my sadness not to spill where others can see it. I have made myself presentable around it. I have learned to carry devastation with a gentle expression, to let my heart rot quietly while my face remains soft and acceptable. There are days when I feel less like a person and more like a room after everyone has left it, still holding the warmth of bodies that are no longer there, still arranged as though someone might return, though deep down I know no one is coming back.

The worst part is not that I am hurting. I have become used to hurting. Pain has stopped surprising me. It has become the weather inside my chest, the heavy grayness I wake beneath, the pressure that follows me even when nothing particular has happened. The worst part is that I must keep making my pain beautiful enough not to disturb anyone. I must make it quiet. I must make it graceful. I must turn the scream into a smile and the collapse into a shrug and the loneliness into something almost admirable. People love strength when it does not ask anything from them. They love a survivor when survival looks clean. They praise the way I carry myself, never realizing that what they call strength is really the absence of any place safe enough to fall apart.

I think I have been crying inside for so long that the sound has become part of me. It is always there, low and endless, like water behind a wall, like a child sobbing in another room that I cannot reach no matter how many doors I open. I can laugh over it. I can speak over it. I can smile until my cheeks ache, but underneath everything there is still that crying, still that terrible, private mourning for every version of myself I had to bury in order to become this easy to be around.

I miss who I was before I learned how quickly people grow tired of sadness. I miss the innocence of believing that being loved meant being safe, that if someone held me once with tenderness, they would not later become another absence I had to survive. I miss the version of me who could trust a kind word without searching it for an ending. I miss the softness I used to have before it became dangerous, before every disappointment taught me to harden another part of myself, before I understood that sometimes people do not leave because they never cared, but because caring became too heavy for them.

That knowledge has done something unforgivable to me. It has made me afraid of tenderness. It has made me suspicious of warmth. It has made me flinch from the very things I still ache for. I want to be held, but I do not trust arms. I want to be known, but I am terrified of being seen too clearly. I want someone to ask me what hurts, but I already know that if I answer honestly, I may watch their face change. I may watch concern become discomfort, discomfort become exhaustion, exhaustion become distance, and I do not think I can survive being left again by someone who first promised they would stay.

So I keep everything inside. I let it bruise me where no one can see. I let the memories press their hands against my throat. I let the longing sit heavy in my stomach until I cannot tell whether I am hungry or grieving. I let the ache spread through me like a slow poison, and when someone looks at me, I smile, because smiling is the last thing I know how to give. It is my apology for being difficult. It is my disguise. It is my way of saying, Do not worry, I will not make my pain your problem. It is the ribbon I tie around the wreckage so no one has to look directly at what has been destroyed.

Sometimes I wonder what would happen if I stopped pretending. Not forever, not dramatically, just for one moment. I wonder what would happen if I let my face fall into the shape of what I truly feel, if I allowed my eyes to empty themselves, if I opened my mouth and let all the unsaid things come out at once. I imagine the horror of it, the size of it, the years of swallowed hurt rising from me like smoke from a house that has been burning silently for too long. I imagine saying that I am not okay, that I have not been okay, that I do not remember the last time I felt untouched by grief. I imagine telling the truth so completely that no one could mistake me for strong again.

But even in the imagining, I know I would apologize.

I would apologize for crying too much. I would apologize for making someone uncomfortable. I would apologize for needing comfort, then apologize again for not knowing how to receive it. That is what heartbreak has made of me: someone who asks forgiveness for bleeding after being wounded. Someone who hides the knife and blames herself for the stain. Someone who has learned to make abandonment look like understanding, because it is less humiliating to say I understand why you left than to admit I wanted you to choose me anyway.

And God, I wanted to be chosen.

Not admired for surviving. Not praised for being strong. Not loved only when I was light enough to carry. I wanted to be chosen in the heaviness, in the ugly hours, in the silence after my voice broke, in the moments when I had nothing beautiful to offer except the raw and ruined truth of myself. I wanted someone to look at all the sadness in me and not turn it into a reason to go. I wanted someone to understand that I was not asking to be saved; I was only asking not to be abandoned in the place where I was already drowning.

But wanting does not make anything stay.

I know that now.

Wanting is just another room inside me where nothing answers.

There are people I still carry like ghosts, though they are alive somewhere beyond me, laughing, sleeping, loving others without feeling the weight of what they left behind. I carry their words, their promises, their almosts. I carry the warmth of hands that once felt like home and later became proof that home can disappear without warning. I carry every goodbye that was never brave enough to call itself a goodbye. I carry every silence that slowly taught me I had become optional.

And still, when I think of them, I do not know how to hate them properly. That may be the most pathetic part of me, the part that still tries to understand everyone who hurt me. I tell myself they were tired, they were human, they did not know what to do with someone whose sadness did not end quickly enough. I excuse them with the same tenderness I begged for and never received. I make them softer in my memory so the wound feels less intentional. I forgive them in rooms where they never apologized.

But forgiving them has not freed me.

It has only left me with no one to blame but myself.

So I turn inward. I ask what was too much in me. I ask which part of my pain made love loosen its grip. I ask whether I should have been quieter, easier, brighter, less honest, less afraid. I ask whether I ruined everything by needing too much or whether I was ruined already and people simply noticed eventually. These questions have no mercy. They circle me at night. They crawl under my skin. They make a home in the hollow spaces where certainty should be.

There is no dignity in this kind of sadness. That is another lie people tell. They make suffering sound noble once enough time has passed, but there is nothing noble about lying awake with your chest aching so badly you press your palm against it as though you could hold yourself together by force. There is nothing beautiful about missing someone who does not miss you in the same way. There is nothing poetic about becoming so lonely that your own reflection feels like a stranger refusing to comfort you.

And yet I continue.

Not because I am brave.

Not because I believe it will get better.

I continue because stopping would require an ending, and even endings demand a kind of energy I no longer have. So I go on in the dull, mechanical way a body goes on when the soul has fallen behind. I smile. I answer. I nod. I become agreeable. I let people think I am healing because correcting them would take more strength than I possess. I let them see what they need to see. I let them keep the version of me that does not inconvenience them.

Inside, though, I am not healing.

Inside, I am still standing in every place I was left.

Inside, I am still reaching for hands that have already let go.

Inside, I am still begging without sound.

The smile remains because it has become stronger than I am. It rises before I can stop it, smooth and practiced, faithful as a curse. It covers the trembling. It covers the emptiness. It covers the part of me that has finally understood there may never be anyone coming to look beneath it. Maybe this is all I will ever be now: a pleasant face over a ruined place, a gentle voice carrying a grief too large to name, a person everyone thinks survived because no one stayed long enough to witness the death.

And perhaps that is the real devastation.

Not that I am crying on the inside.

But that I have cried there for so long, so quietly, so completely, that even if someone finally came close enough to hear it, I do not think I would know how to let them in.

I would smile.

I know I would.

I would smile with tears drowning every unseen part of me, with my heart folded in on itself like something ashamed to still be beating, with the last fragile piece of me breaking silently beneath the weight of everything I never said.

And whoever stood before me would smile back, relieved.

Because from the outside, I would look almost happy.



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A Soul From The Abyss

Writer and Author.



  • Existence
to know me is to leave

July 27, 2026

To Know Me Is to Leave A haunting confession about abandonment, childhood wounds, and learning to survive the ruins of a life that broke too early. To know me is to leave. That is the first thing you should understand about me. People do not always leave immediately. Some of them stay long enough to make me believe they might be different. They sit beside me and ask...



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